Now go figure - how did our little local junior college make this fine exhibit of great women’s art that isn’t to be classified as women’s art?
I loved Inyz Johnson, though the work I saw looked a bit dated, but it was 1950’s, after all.
I love Johnson’s synergy - grazing on the iconography of many cultures and bringing them together in a lively, graphic, almost graffiti-like manner.
Bettye Saar is iconic Black Earth Mother, snycretizing black iconography and stereotypes to serve their dismantling. She summons memory.
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| Ynez Johnson, Vessel |
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