He also went to Canyon De Chelly, a place John and I went to this April. It’s really satisfying to view these paintings because I love these places deeply and with great reverence.
He thought seascapes were the measure of an artist - perhaps I agree, and I loved some of his. His later work, in Europe, of Swiss Alps and Italian boats I found less engaging. He had changed his style for the European mountain pictures, using a heavier impasto on the skies broken by pink fractured triangles, producing a matte, dulled effect. The boats I just found repetitive - a device for dealing with composition, but still a figurative one. I wonder if he had experimented with abstraction, what would have happened to his paintings. Probably too late - he had painted vigorously for many years by that time.
I do know I’ll have to go back and try some more landscapes and some work in the Sierras myself before I’m done here. I’m already planning a trip to Big PIne!
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