"A Fantasy Voyage" |
I loved this charming Klee-Picasso näif woman artist when I saw her work in 2010 at a modest exhibit at Valley College. Since then she had a large exhibit at the Mingei Museum in San Diego, wish I’d seen that too.
I see maps, buildings jumbled together, in a graphic illustrator-artist style that looks very 1950’s to me. I also love the synthetic expression of the influence the places and artists she has made. What joy she must take in traveling the the great world. It’s an overwhelming cacophony; the memories, experiences, sought out with great vigor and attention. “...This is her characteristically obsessive approach to composition, which makes even modest-sized works seem to hold a small and mysterious universe. Yes, she exoticizes, but she also exalts. Some early work, such as “Tomb of the Rajah,” are architectural and detailed in their neat stacking of buildings.” - Scarlet Cheng in Visual Artsource Online.
“...This is her characteristically obsessive approach to composition, which makes even modest-sized works seem to hold a small and mysterious universe. Yes, she exoticizes, but she also exalts. Some early work, such as “Tomb of the Rajah,” are architectural and detailed in their neat stacking of buildings.” - Scarlet Cheng in Visual Artsource Online.
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