Thursday, February 7, 2013

ESSAY: Yoga Chakra Muladarha

Muladhara:  the root chakra, by Arlene Eve Johnson
Element: earth, the material foundation of the living organism

Issues:  stability, security, management of the material, patience, perseverance, reliability

Energy:  serpent energy, creative manifestation

from:  Dr. John Casey, Yoga and Sanskrit instructor at Loyola Marymount, from LA Yoga Magazine, 2-13 issue





I will....attend to these issues.
I will...take this energy to alchemy.

I will...become a tree.


POEM: Los Angeles Winters

Today the sunshine is thinned
by high milky clouds thin themselves
a translucent skin of the sky's blue dome

The waiting goes fast here
the winter is mercifully brief,

I attend the birch tree, a memory-aid
to the passing of four true seasons,
to leaf
It will be soon now

The hillside grasses are an impossible green
don't need Ireland's green heart
or the jungle's profligate growth

They spring up overnight
invited by little rains

Cold dry mornings
Yield to the sunlight, warming quickly
like bread rising.




Tuesday, February 5, 2013

ART: Charles Reiffel

Mountains, c. 1930's
THE QUESTION OF THE DECORATIVE

Charles Reiffel, 1862-1942, is called an American Post-Impressionist and a leading California plein-air painter.  As I look over the images printed in American Art Review, I'm struck with the Reiffel's stylistic fluidity.  I think I see references to other painters.  Back Country, San Diego   looks like a softened version of Charles Burchfield's ecstatic turbulent landscapes.  "...Expressionist landscapes of remarkable verve and complexity...neither a simple pastoral scene nor a vision of spiritual uplift common to conventional American landscape paintings...[the]...contrast [of]calm stability for/and the manic exuberance unfurling inside the frame...pathos...a poignant sense of precarious human existence in a roiling world of natural beauty both delirious and dangerous..." Quote from LA Times review by Christopher Knight (1-19-2013)

 Harbor Night 
Oil on Upson Board, 1936-7 
Inscribed on reverse of board: “Old National City, 1936” 
36 x 47 7/8 inches 
Chaim Soutine, La Place du Village, Céret, ca. 1920
Knight thinks that Chaim Soutine is the major influence and comparison for Reiffel.  The Céret landscapes are madness, the images of a delirious vision.  

I don't hear a whiff of disapproval of Reiffel from Knight, though.
 San Diego Back Country  
Oil on Board, mid 1930s 
30 x 36 inches 

PERSONAL: Yoga & Running

It's been over a month now.  I'm working out at my gym most days and the lost strength and flexibility is returning.  I find it astonishing that the aging body will respond so.

I have tried various classes, and find Pilates and yoga most challenging and effective.

What I've found is the psychological and spiritual component to fitness must not be lacking in whatever practice I use.


This is a chakra response poem/statement to use. I write them nearly every day I work out.  I also meditate on my chakras to discern which is powering me of needs attention.





I am.....in motion
I feel...forward
I do....choose
I love...the green world
I speak...of only kind things
I see....far far away
I understand...more than I wish to
I know....the dark

Sometimes during the workout I receive visions - of dark sanguine rivers, or emerald richness flowing over me, or out of me. Today I found a dark sky profoundly studded with stars.


Monday, February 4, 2013

FILM & PERSONAL: Disney and the Vault/Weekend Babysit

 Clyde Geronimi animated fairy tale, SLEEPING BEAUTY (1959) starring the voices of Mary Costa, Bill Shirley, and Eleanor Audley. This feature was in active production from 1951 until the end of 1958 and was the last Disney animated feature to have cels inked by hand. The beautiful art direction is inspired by European medieval paintings and architecture, and the elaborate background paintings took between seven and ten days to paint. This is the first Disney animated feature released in 70mm. Though much of the soundtrack in based on the Tchaikovsky ballet, George Bruns received an Academy Award nomination for Best Musical Score for his original songs. 

1941 - Dumbo gets drunk and learns to fly!  He is beautifully drawn, the music is great, and the black crows all sing wonderfully sweet minstrel-style,  seem familiar from Song of the South.  Dumbo is out of the vault right now in 70mm.  It was lovely to see the pink elephant dream sequence, reminiscent of  Fantasia and the stunning animation of Oscar Fischinger. It's on Time Magazine's 2011 list of 25 best animated films.  It was made cheaply to recoup the losses from Fantasia, released in 1939.
We spent Saturday and Sunday taking care of our two younger grandchildren while the oldest, Mom and Dad went for a short ski weekend. I was so happy to think of them in the snow and our  6-year old grandson having his first ski lessons.

We took the 4-year old to Live Steamers, a singular monument to older mens' obsessions.  It's a hobby group that used land in Griffith Park to build miniature train tracks for their individually-owned engines and cars.  I was told an engine can cost $50,000.  On Sundays the group offers rides on the trailing cars, and it's a favorite of the "boykins" (our two male grandchildren).

It was one of those heavenly warm wintertime days in Los Angeles, sunny, a slight wind, sparkling; I have such joy living here when these occur, a  reprieve from the rest of the world's snowy bitter cold existence.

I am told that "miniatures" appeal to control freaks of all natures.


BOOK REVIEW: Sweet Tooth, by Ian McEwan

A kind of espionage-fairy tale!  It's  a play-within-a-play.  It's As You Like It.   All these funny layers and oblique references.  How novel this charming novel is.  A young woman is recruited into the British secret service by her older professor lover, who is the only one to die - a normal death.  The book ought to come with a disclaimer:  no characters were harmed in any way during the making of this novel.  The bad guy reminds me of Malvolio, though his name is Max.

She "runs" a writer who is secretly funded by a government-sanctioned though clandestine operation whose mission to create and spread a kind of cultural literary disinformation and thus influence public opinion. (Unlike Hollywood, it understands its intentions and results, though both can be dim sometimes.)

She and the writer she works have an affair, fall in love, and both are disingenuous about their functions and purposes, also.  They are like hit men married to each other - or are they the characters from The Getaway  or  The Thomas Crowne Affair?   

The writer's short stories are retells of some of McEwan's own. The books' narrative is actually the writer's narrative narrated by Sarah, his female protagonist.  Got it yet?  Hope I haven't spoiled it for you.  So I say no more, but it's a delightful, intelligent read, after which you can respect yourself, unlike the literary shower you will need if you choose some of the other best-seller faux thrillers on the list.

I did't  feel sheepish after this, unlike the expensive cheap thrill of mediocre reads (Baldacci, current Bosch, Joe Reacher, that alphabet female detective series, that croissant-laden Canadiana detective series, etc.)  that insomnia has caused me to purchase on my friendly Kindle.


Friday, February 1, 2013

BOOK: "Restless", by William Boyd

A young woman teaching foreign students English while working on her doctorate is given a diary written by her mother which reveals that during World War II she was a secret agent.  She was recruited to work for the British in the United States as part of a program to influence the U.S. to enter the war.

The past does not remain so, defying time, in this novel, as payback is sought and won.  I will leave you to the enjoyment of narrative suspense.

What is worth discussing is the ambiguity in Boyd's characters - how human and unlikeable they really are, and then sometimes poignantly appealing.  This is a dimension of spy/thriller novels that  is usually lacking, or only inferred, and it makes for a denser story.

Boyd writes well and that's a pleasure when one who loves this genre must frequently endure quite mediocre writing in the service of enjoying that suspenseful narrative.

What's really puzzling and perhaps annoying, is Boyd's signature style - his novels close with even more ambiguity than the characters possess.  And this is more serious, because it's about the plot unresolving, resolving?  Did it?  No, don't think so, but maybe!

And there's not the play within a play or a shell game like Iwan McEwan spins in SweetTooth.

You get to laugh darkly at the joke on you.


This book was made into a TV show on the BBC starring Charlotte Rampling, who seems most fittingly cast as the mother.  I shall have a look one of these days.