Globalism in Art - How to See It, Find It, Is it Possible?

No.  But we can try.  But I'm depending on the art establishment to show it to me.

from the New York Times, 10-30-16, Holland Cotter article

... in the early 1990s, the contemporary-art market fell apart, and some gate-crashing occurred. Artists who were once denied entry, many of them nonwhite, came in. So did new kinds of art, much of it with roots outside Western traditions. An expansive new age of globalist art had begun, and it felt excitingly utopian. By forging links among far-flung people and cultures, art could do what politics could not: bring everyone to a communal table for share-the-wealth feasts, with museums serving as hosts.

In the years since ... globalism as an ideal, in the 1990s sense, faded somewhat from view. The proliferation of international biennials and triennials dulled its edge. The concept had become shopworn from use as a marketing tool. And when globalism became confused with economic globalization, political questions arose: To what extent does sharing dilute difference? Who’s in charge of building that communal table? Who decides the seating?

Recently, globalism, as global consciousness, has come back into focus...